{"id":344,"date":"2007-08-15T11:09:10","date_gmt":"2007-08-15T16:09:10","guid":{"rendered":"http:\/\/benpollock.com\/brick\/index.php\/2007\/08\/15\/demand-creative-freedom\/"},"modified":"2007-08-15T11:51:52","modified_gmt":"2007-08-15T16:51:52","slug":"demand-creative-freedom","status":"publish","type":"post","link":"https:\/\/benpollock.com\/brick\/2007\/08\/demand-creative-freedom\/","title":{"rendered":"Demand Creative Freedom"},"content":{"rendered":"<blockquote>\n<p>Art museums are necessary evils. Even as they perform their important functions of archivism, centralization and certification, they rob their collected pieces of vital energy.&#8221;<\/p>\n<\/blockquote>\n<p>&#8212; <a href=\"http:\/\/www.nwanews.com\/adg\/Style\/198562\/\" title=\"Critical Mass- There's more than meets the eye on Marat canvas\" target=\"_blank\">Philip Martin<\/a>, <em>Arkansas Democrat-Gazette,<\/em> Tuesday, Aug. 14, 2007<\/p>\n<p>DATELINE MIRTHOLOGY &#8212; It&#8217;s time, my fellow Americans, to stand up to the injustice of housing works of art in museums. The practice is inhumane and beneath us. If we do not object, then we are complicit in this archaic tradition. If we so much as spend a Sunday at a special exhibit of rarely seen pieces, brought from far far away, we are as those who nail art to the wall. If we enjoy lunch at the museum friends&#8217; cafe or buy cards at its gift shop, we are funding evil.<\/p>\n<p>Art should be free. It should not be held captive.<\/p>\n<p>Perhaps you&#8217;ve received mailings from PETA, Publicans for the Esthetic Transience of Art. Its investigators give lurid details &#8212; with photographs that even show the gawkers &#8212; of Picasso&#8217;s Spanish oils held against their will in New York and of Van Gogh&#8217;s Dutch sunflowers jailed in Philadelphia. If you were a Vincent-dreamed vase of sunflowers, would you want to spend eternity in Philly?<\/p>\n<p>I got an alumni brochure the other day from Stanford University. It has become a repository of Rodin bronzes. The cover of the flyer showed the Frenchman&#8217;s famed Burghers of Calais in the campus Quad. I ask you, how many bicycles have crashed into them? One would be too many. Then there&#8217;s students who <a href=\"http:\/\/daily.stanford.edu\/article\/2004\/5\/26\/rodinSculpturesUsedInProtestOfTreatmentOfIraqiPrisoners\" title=\"Rodin sculptures used in protest of treatment of Iraqi prisoners\" target=\"_blank\">seize the helpless statues<\/a> as political tools.<\/p>\n<p>What do the Publicans for the Esthetic Transience of Art recommend? They take their cue from the other PETA: Boycott museums and museum-related activities just as you shun zoos for how they preserve endangered animals by enslaving them for procreation, if not mockery by passers-by who throw kibble at them. If a set of museum keys lands in your pocket, open the doors.<\/p>\n<p>On a more modest, more legal scale, use lots of original art in your own rooms. They need not be Rembrandts. On the other hand, any art that&#8217;s sold because it&#8217;s &#8220;sofa size&#8221; should be taken from the stores and donated to museums. Curators may not notice.<\/p>\n<p>There&#8217;s that Thomas Kinkade. He calls himself the &#8220;Painter of Light.&#8221; Don&#8217;t worry about freeing him; he&#8217;s no artist.<\/p>\n<p>Put your own pieces up, not only at home but inside and outside your vehicle. Offer them to your favorite burger joint.<\/p>\n<p>Don&#8217;t forget children&#8217;s art. You might be surprised at how many people prefer it.<\/p>\n<p>Lastly, find spots for copies of famous works. They&#8217;re inspiring. If you don&#8217;t want to buy overpriced lithos at the mall, surf the Internet and hit Print. -30-<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art museums are necessary evils. Even as they perform their important functions of archivism, centralization and certification, they rob their collected pieces of vital energy.&#8221; &#8212; Philip Martin, Arkansas Democrat-Gazette, Tuesday, Aug. 14, 2007 DATELINE MIRTHOLOGY &#8212; It&#8217;s time, my fellow Americans, to stand up to the injustice of housing works of art in museums. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-344","post","type-post","status-publish","format-standard","hentry","category-american-culture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2032,"url":"https:\/\/benpollock.com\/brick\/2010\/06\/from-moma-to-mopa\/","url_meta":{"origin":344,"position":0},"title":"From Moma to Mopa","author":"Ben S. Pollock","date":"June 24, 2010","format":false,"excerpt":"Copyright 2010 Ben S. Pollock DATELINE MIRTHOLOGY -- My client Crystal Britches was sweltering in her plastic rain gear. It neared 90 this morning at the Fayetteville Farmers Market -- nearly all the summer veggies were available but no musicians or sidewalk artists -- but the forecast had projected rain.\u2026","rel":"","context":"In &quot;Chronicles of Crystal Britches&quot;","block_context":{"text":"Chronicles of Crystal Britches","link":"https:\/\/benpollock.com\/brick\/category\/chronicles-of-crystal-britches\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":139,"url":"https:\/\/benpollock.com\/brick\/2005\/05\/sell-us-your-huddled-masterpieces\/","url_meta":{"origin":344,"position":1},"title":"Sell us your huddled masterpieces","author":"Ben S. Pollock","date":"May 24, 2005","format":false,"excerpt":"Copyright 2005 Ben S. Pollock Tuesday, May 24, 2005: A Brick about Crystal Bridges Museum of American Art. Last Monday, Wal-Mart's Alice Walton announced she and also her family's foundation would build a museum surrounded by a park near downtown Bentonville, Arkansas, her companies' headquarters. There was a clue about\u2026","rel":"","context":"In &quot;American Culture&quot;","block_context":{"text":"American Culture","link":"https:\/\/benpollock.com\/brick\/category\/american-culture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3264,"url":"https:\/\/benpollock.com\/brick\/2011\/11\/day-in-the-museum\/","url_meta":{"origin":344,"position":2},"title":"A Day at the Museum","author":"Ben S. Pollock","date":"November 18, 2011","format":false,"excerpt":"Copyright 2011 Ben S. Pollock DATELINE MIRTHOLOGY -- Crystal Britches was speechless, standing in the setting sun on a recent afternoon in a parking lot in Bentonville, Ark. \"She did it. My old BFF really pulled it off,\" Ms. Britches said of her periodic Best Friend Forever Alice. I, her\u2026","rel":"","context":"In &quot;Chronicles of Crystal Britches&quot;","block_context":{"text":"Chronicles of Crystal Britches","link":"https:\/\/benpollock.com\/brick\/category\/chronicles-of-crystal-britches\/"},"img":{"alt_text":"Armadillidium vulgare, pill bug, roly poly","src":"https:\/\/i0.wp.com\/benpollock.com\/brick\/wp-content\/uploads\/2011\/11\/Armadillidium_vulgare_001-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2990,"url":"https:\/\/benpollock.com\/brick\/2011\/07\/our-raveenia-museum\/","url_meta":{"origin":344,"position":3},"title":"Our Raveenia Museum","author":"Ben S. Pollock","date":"July 22, 2011","format":false,"excerpt":"Copyright 2011 Ben S. Pollock I. Crossing the Line DATELINE MIRTHOLOGY -- Should her museum-progress trek be now or wait till it's further along? My client Crystal Britches calls Fayetteville and Washington County home. For her, Bentonville and the rest of Benton County are places to visit. Unlike, say, Springdale,\u2026","rel":"","context":"In &quot;Chronicles of Crystal Britches&quot;","block_context":{"text":"Chronicles of Crystal Britches","link":"https:\/\/benpollock.com\/brick\/category\/chronicles-of-crystal-britches\/"},"img":{"alt_text":"Trail from downtown Bentonville to museum. Photo from city, www.bentonvillear.com.","src":"https:\/\/i0.wp.com\/benpollock.com\/brick\/wp-content\/uploads\/2011\/07\/downtown-trail-300x201.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":226,"url":"https:\/\/benpollock.com\/brick\/2006\/08\/modern-art-balm-for-our-times\/","url_meta":{"origin":344,"position":4},"title":"Modern Art, Balm for our Times","author":"Ben S. Pollock","date":"August 6, 2006","format":false,"excerpt":"Fayetteville's Walton Arts Center has asked the state Highway Department about installing sculptures along Interstate 540 for the cultural enrichment of us all. Today's Northwest Arkansas Times wrote it up, but its photos are not online. They're palm trees, more or less, in bright colors. Wood, though made to look\u2026","rel":"","context":"In &quot;Body, Home, Street&quot;","block_context":{"text":"Body, Home, Street","link":"https:\/\/benpollock.com\/brick\/category\/body-home-street\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2679,"url":"https:\/\/benpollock.com\/brick\/2011\/02\/stones-throw-from-campus\/","url_meta":{"origin":344,"position":5},"title":"Stone&#8217;s Throw from Campus","author":"Ben S. Pollock","date":"February 16, 2011","format":false,"excerpt":"Copyright 2011 Ben S. Pollock Catherine Wallack, a University of Arkansas interior design professor, deserves praise for curating a comprehensive exhibit of furniture produced by the Fulbright family's wood business and designed by Edward Durell Stone. Wallack is credited with putting together the show, but University Relations leaves unsaid who's\u2026","rel":"","context":"In &quot;Education, Coarsely&quot;","block_context":{"text":"Education, Coarsely","link":"https:\/\/benpollock.com\/brick\/category\/education-coarsely\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":0,"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"wp:attachment":[{"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/benpollock.com\/brick\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}